Blink Twice is another addition to the growing list of films and shows centered around a wealthy individual who gathers beautiful people on an isolated island, only for things to take a dark turn. However, what sets Blink Twice apart is that it marks the directorial debut of actor Zoë Kravitz, who demonstrates impressive confidence and skill in staging this thriller.
A significant part of the film’s appeal comes from the powerful performances by the lead actors, including Kravitz’s real-life boyfriend Channing Tatum and Naomi Ackie. Tatum portrays Slater King, a tech mogul who has been forced to step down from his company following a scandal, the details of which are only vaguely hinted at. Now, Slater spends his semi-retirement on a private island, focusing on raising chickens and avoiding all electronic devices.
Slater only leaves his secluded paradise to host an annual gala, which is part of his new philanthropic efforts following his public disgrace. Frida, played by Ackie, is captivated by Slater's story, as presented in social media snippets, and she can’t resist the opportunity to work as a waiter at his prestigious event. She attends the gala with her friend Jess, portrayed by Alia Shawkat.
To her surprise, Slater is equally intrigued by Frida, and soon both women receive an irresistible offer: to join Slater and his friends on a private jet bound for his island. Up to this point, everything seems fine. Kravitz, who also co-wrote the screenplay, doesn’t shy away from highlighting Frida and Jess’s questionable decisions, especially as Frida starts to wonder why Slater’s interest in her remains platonic. The friendship between the two women is portrayed as easy and natural, with Shawkat making her mark as the often-overlooked friend.
However, it's clear that the lavish food, champagne, and gifts—including matching white, ethereal dresses for the women—come with a price. When the true cost is revealed, it’s genuinely shocking. Kravitz aims to explore themes such as gender dynamics, buried trauma, the silence surrounding sexual assault, and the corrupting power of wealth.
Unfortunately, the film’s pacing detracts from the impact of these themes. Too much time is spent on scenes of the characters lounging around pools and gardens, lost in drunken and MDMA-induced stupors, leading to a sense of repetition. Conversely, the film rushes through the moments when the women start realizing they are losing track of time and memory, leading up to the climax. It feels as though Kravitz lacked the confidence to fully develop the story she set out to tell.
Despite these shortcomings, Blink Twice remains a stylish and slick thriller, showcasing Kravitz’s potential as a filmmaker and leaving viewers eager to see what she creates next. Tatum’s performance, where he skillfully balances charm and menace with his good looks, also stands out as a highlight of the film.
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